Tales of the Driss, Krystal Dragons First Two Chapters

Tales of the Driss, Krystal Dragons


Shara Maude

Copyright © 2017 Shara Maude

Published 2017

2nd Edition

All rights reserved.

No part of this text may be reproduced, transmitted, downloaded, recompiled, reverse engineered, or stored in any form or introduced into any information storage and retrieval system in any form, whether mechanical or electronic without permission from the author. Please do not take these words and claim them as your own, they are not.  If it is necessary, seek the proper rights and permissions. Thank you.

Cover design by Emma Rider at Moonstruck Cover Designs and Photography

ISBN: 1717050506

ISBN_13: 978-1717050502


For my friends and family.


Jerrick wondered where his younger brother was. He had sent the lad, Kerrick, out into the world to gather their people, the Driss. They’d been scattered by the Trow, who hunted them. After this father’s death, Jerrick remained in the north, the country of Lunaris, where he served as king. But the High Laudriss, the ruling body of his people, decided they wanted to gather their wandering brethren and fortify here in the north. The leaders chose Kerrick as the envoy. Obligated to comply, Jerrick remained to protect the new kingdom from the constant threat by the Trow and Tresser, dark elves and their cousins who wanted nothing more than to destroy Jerrick’s people. He also guarded against people who mistrusted the Driss which was anyone who wasn’t one of them.

He and Kerrick lived through everything together; from the wanderings of their youth to their finally having found a homeland in Lunaris. Born on the road, the two witnessed many things and suffered through countless hardships from being hunted to being denied shelter before arriving here. They built their Father a palace from stone and wood. A simple fortress, but it was home to them.

Jerrick sat at his desk late one night. Random thoughts of his brother distracted him from looking over his father’s books and papers, searching for any word of the Krystal Dragons. The four crystalline dragon statues were made of ruby, jade, opal, and sapphire. When brought together at the southern Krystal Fortress, they created a shield to protect the Driss from any enemy thus allowing all his people to return to their own land.

This was Jerrick’s task. His burden. His people needed to be restored to their home. He put his head in his hands as he strained his eyes to see the words on the parchments in the dim candlelight. Jerrick never expected his role as king to be easy. In fact, he expected the opposite. His Father certainly had a hard time of it. Why should his time be any better?

He sighed as he thumbed through one of his Father’s journals. He scanned the old pages for any helpful clue. The dim candlelight made concentrating on the pages even harder. His mind wandered back to Kerrick. He remembered that night in the kitchen when he told Kerrick that he’d been chosen to go. The two brothers shared a brotherly moment while celebrating with victorious drinking after battling the Trow. The Trow always came for them. Any small victory against them was worth celebrating.

The brothers were the only ones left awake in the fortress. The room was lit with dimly flickering candles that were nearly spent in a puddle of melting wax. The two sat on the long wooden table that was usually where the servants prepared food. Tonight, there were two happily drunk Driss lads, enjoying a night of song and drink. Jerrick knew that the cheerful mood wouldn’t last. Not when he informed Kerrick of the High Laudriss’s decision.

“Kerrick,” Jerrick said, “the Council of the High Laudriss wishes to re-assemble our people.”

“Splendid,” Kerrick said, “and how do they propose we do that?”

“They wish to send an ambassador to gather them. They asked me to choose someone to send.”

“And have you made a decision?”

“Yes,” Jerrick replied. He looked into his brother’s dark eyes, “I have chosen you, brother.”

“What?” Kerrick said the color drained from his face. He nearly dropped the mug he’d been trying so hard not to drop. “You want to send me?”

“Yes, I think it would be good for you to go out into the world.”

“Did you ever think for one moment that I wouldn’t want to?” Kerrick asked.

Jerrick thought about it. Then he realized that he hadn’t really thought about it. He just assumed that Kerrick would accept the assignment. “No, I didn’t think of that. Are you saying you don’t wish to go?”

Kerrick gave a nervous laugh and said, “I don’t know. It’s a heavy decision to make. And you’re just kind of springing it on me. Have you told anyone else?”


“Have you considered anyone else?”

He slapped his brother’s shoulder. “No.”

“And you think I’m the best man for the job?”

“I think you’re the only man for the job. You’re a Driss prince, one of the last of the royal line. Our people will trust you, Kerrick.”

“Is this what you want?” Kerrick said.

“Yes. I need you to do this for me, Kerrick. For our people.”

It was a bit unfair, Jerrick knew. He had given Kerrick no other choice. His brother nodded. “If this is what you want, then I will go.”

“You have my thanks, brother,” Jerrick said. “You have my thanks.”

Kerrick left soon after. They said goodbye to each other down by the gates to the city. There was a reluctant look on Kerrick’s face. Jerrick put his hands on his brother’s shoulders. He knew his brother was scared, though he would never say it.

“You will be fine, brother,” Jerrick said. “I will see you again in a few months. Be careful when you’re crossing through the lands of men. They cannot be trusted.”

“I will be a careful brother.”

Jerrick looked up through the trees. He could see the blue sky and could feel the warmth of the sun filtering down through the branches. “It’s a beautiful day to start out,” Jerrick said. He embraced his brother in a fierce hug. “Take care of yourself, Kerrick. Come back to me. What would I do without you?”

“Who knows?” Kerrick chuckled. He turned from his brother and walked away into the wilds.

Several months passed and Jerrick began to worry. He shuffled through the journal pages. There was nothing. Why did his father leave him no clues? Did the old king not want him to reinstate their people in the fortress? It made no sense. His father was a complex Driss. Merrick never spoke about anything that happened before the Fortress fell. As far as the king was concerned, his life started anew upon arriving in the north. He and his wife lived happily here, in the fortress built for him by his sons. When the queen died, there was no consoling the king. Merrick, like other Driss, suffered a common malady and died soon after the queen.

Jerrick had been fifty when his father died. Even though he’d just come of age, he was ready to take on the reins of the kingdom. However, he wished he had someone to share the burden.

A knock at the door distracted him. He had no idea who would visit him this late at night. “Come in.”

Wolfnoth opened the heavy wooden door and stepped into the study. Younger than Jerrick, he was meek for a member of the High Laudriss but a good friend and often sided with Jerrick. He carried a candle with him and was on his way to bed. Wolfnoth put his hand over his mouth and yawned. He came and stood across the desk from Jerrick. “It’s very late, your Majesty.”

“Yes, it is.”

“Do you have something on your mind?” The younger Driss yawned again.

“I miss my brother, I did not think I would miss him so much, but I do.”

“That is understandable, your Majesty,” Wolfnoth said. “I am sure he misses you as well.”

“Should I have sent him?” Jerrick mused.

“There was really no one else, your Majesty. The Driss will trust him. They will trust in his lineage.”

Jerrick smiled. “You’re right. I shouldn’t worry so much. And it is well past time to go to bed. I will find no Krystal Dragons tonight.”

Jerrick closed the journal he had been looking through and blew out the candle on his desk. It was time for bed.


Kerrick traveled the wilds for many months. He passed through the lands of gnomes, the lands of men, and came at last, to the edge of the Broken Forest. He had heard rumors while in the man Kingdom, the Driss would pass this way. He decided to see if it was true. What he found there amazed him.

A Driss caravan full of men, women, and children camped there for a while. Their wagons were old but they still serviceable and offered shelter. They acted well and happy. Still, it was Kerrick’s job to find out who they were and to try and get them to come back with him.

Kerrick approached a Driss man who lounged on a high seat near the lead wagon. The man acted like he was in charge of the group. He was taller than the others with long dark hair and a roguish grin.

“Excuse me, sir. Are you the leader here?”

The leader looked down at him with a smile. “Yes, I suppose you could say that,” He said. “My name is Anders. What can I do for you?”

“I am Kerrick, son of Merrick. I have been sent by the King to find our people and bring them north.”

“You’re the son of the King?”

“I am son to King Merrick, who is no longer with us. My orders have come from my brother, Jerrick. He is the current king.”

“I’m sorry to hear that, your Highness. However, I don’t know if my people would want to go with you. We like our wanderer’s ways.”

“Where have you traveled?”

“Ah, we’d planned eventually to come to the north, but mostly we stay south of the Broken Forest. This is the first time we’ve been north of it for some time.”

“But why would you wish to keep wandering? We have a palace and a Kingdom in the north. What would keep you out here when you could come with me and be with others like yourself?”

The Driss pointed off into the forest. “On the other side of those tattered brambles is a place. The place that Driss are meant to belong. The Krystal Fortress. Our home before the Trow drove us away.”

Kerrick said, “the Krystal Fortress?”

The Driss nodded solemnly. He smiled at Kerrick again. “Would you like to see it? We can take you there.”

“That wouldn’t interfere with your plans?”

Anders shrugged. “What plans? We’ll go tomorrow. For now, you may sleep in our wagon, you look as though you would take any roof over your head.”

Kerrick laughed, “It has been a while. Thank you for your hospitality.”

“No worries,” Anders said.

Anders wandered away. Kerrick looked around and noticed several women sitting around a fire helping to cook the evening meal. He saw her and he knew that he had to know her. She was the woman with the long red-gold locks and the sapphire eyes. She was the most beautiful woman he had ever seen. There was nothing Kerrick wanted to know more than her name.

That night, when everyone who was going to sleep got ready to do so. She came and sat next to the fire near Kerrick. The woman had a perplexed look on her face as if there was something about him that she did not quite understand.

“Is there a problem?” He asked.

“It is your hair,” She said as she reached her hand out and touched it. “It is golden, like a woman’s.”

Kerrick frowned. “So, people have told me.” He pushed her hand away. “Was there something else that you wanted?”

“You really live in one place?” She asked, “you don’t move around as we do?”

“I have not wandered for many years. My brother and I helped our father build his kingdom in the north. We lived with him there until he died. Now my brother Jerrick is King and I am his ambassador. He has sent me to gather our people.”

“Gather your people?”

“The Driss. All of us. We will be stronger if we fortify in the north, and then maybe, when we are truly strong, we can take back our lands in the south.”

“And what if we don’t wish to come?” She asked, fiddling with a strand of her own hair.

“If you don’t want to come? Don’t you wish for a home, a place where you can stay and won’t have to move from? Roots?”

“Trees need roots. People do not. They can carry their roots with them.”

“So, I assume what you’re saying is that your people will not come with me?” He gave a long sigh.

“You can ask the others when we meet with them at the crossroads. Some might, but my brother may not find it a good idea to join you in your fortification.”

“There are others?” Kerrick asked.

“Yes. We should catch up to them in a few days at the crossroads.”

“Then I will ask them if they will come.”

“Alright,” she said.

She made ready to get up, but Kerrick stopped her.  “May I know your name?” He asked.

She looked at him, and her sapphire eyes meeting his black eyes in the firelight. “I am Lusa.”

“Lusa?” He repeated, “well, it’s good to meet you.”

“It’s good to meet you too, Kerrick, son of Merrick. Goodnight to you.” She left him and went to the trailer where the unmarried women slept.  Kerrick slept in the wagon with Anders and his young friends. It was a decent roof, but a little too close for comfort. They had readily accepted him. They certainly didn’t have to. He was an outsider, even among them. They had just chosen to do so. Kerrick was happy that they had. He had to convince them to come or this whole journey will have been for nothing.


As the caravan made its way south, Kerrick spent most of his nights wrapped in his blanket on the wagon seat. Nights were still warm this late in the summer.

They reached the crossroads and found no one there. Perhaps when they returned, Anders suggested. They moved on to the south. Going around the forest was not the most expedient way to travel, but it was the safest. Only the elves knew the hidden paths through the forest. The road was not well maintained. The Driss caravans had passed this way often, but they didn’t do anything for the road which was now bumpy and grassy. The closer they got to the fortress, the bumpier things got. This place had been abandoned for far too long.

The fortress loomed; a tall jagged tower of stone. It was not fancy or extravagant, but it was a symbol of power. It was the Krystal Fortress, created thousands of years ago by Driss who knew the secrets of the Krystal Dragons. The fortress stood empty. The Trow and Tresser had followed the Driss to the north, leaving their conquered territory to decay.

Still, Kerrick couldn’t help but go into that place. Search the empty stone halls, look at the items that had been left behind when the Driss had abandoned this place. See the skeletons of the ones that were unable to escape. This had been home to his Father and his Father before that. But Jerrick and Kerrick had never known this place. They were born as their parents traveled to the north. It seemed the halls were filled with angry ghosts. Ghosts that would stay there until their deaths and people were avenged. None of the others joined him in that place. They camped outside. Kerrick knew that they felt it was best to leave the past in the past. At least for now.

That night, he made the royal suite his bedchamber. He had cleared off what had been the bed and put his own blanket there, the old bedding was moth-eaten. Everything was filthy. He still felt like making the effort, though. He hoped that someday this place would be his home. Or at least he could dream. Since the bedchamber was on the top floor, it was easy to see everything through the glassless windows. From the bed, he could see the stars in the clear night sky and feel the breeze as it wafted through the dusty room.

Someone came and lay down next to him in the dark. At first, Kerrick was scared, but then he realized it was Lusa and knew it was safe. “What are you doing here?” He asked.

“I wanted to get out of that wagon. I’ve slept in that wagon for most of my life, and I just wanted to sleep somewhere else tonight.”

“Alright, but why with me?”

“Would you like me to leave?” She asked. She sounded a bit miffed at him as if she really didn’t want to leave. Then part of him wondered if he really wanted her to. “None of the others will come in and I would like to be close to somebody. I just wanted to see this place for myself. Just like you. But I can leave if you like.”

“No,” He said. “Stay.”

She said nothing more. She lay by his side quietly and was soon asleep. Something about her being there with him perplexed him. What was it that she wanted? He curled up next to her and went to sleep.

They camped in that place for a week, and each night she slept with him. He was becoming used to having her there. They spent their days together, wandering the halls of the fortress and taking care of the people together. Kerrick did what he could to try and make himself a part of their group, living with the caravaneers, eating with them, making them part of his day. Lusa was very much a part of that. She brought him closer to the group. She was there to support all of them. Soon enough, he expected her there. And finally, he was ready for her to do more than just sleep by his side. The night before they would journey back to the crossroads, they made love for the first time. It was that night that he realized that he loved Lusa. And it was clear to him that she loved him back.

On the journey back to the crossroads, they slept in different wagons again. As far as Kerrick knew, no one knew about what they had done. When they finally reached the crossroads again, Kerrick was amazed to find that there was indeed a gathering of Driss there. And not a small gathering either. There were probably a thousand Driss there altogether. Men, women, children. All of them with their wagons and whatever they had to sell or trade. This was more than Kerrick could have ever hoped for.

As the Driss from Anders’s caravan dispersed within the larger group to trade and conduct other business, Anders took Kerrick aside for a moment. “I assume this is what you were hoping for,” Anders said.

“Yes,” Kerrick said. “I am surprised by how many there are.”

“There may be more still. We have not heard from our brethren who lay further to the southwest and east. There may be even more than this.”

“I see,” Kerrick said.

Anders slapped him on the back. “Very good. Tonight, we celebrate, for tomorrow is a most joyous occasion!”

“What occasion is that?” Kerrick asked.

Anders gave a laugh. “Tomorrow, you marry my sister,” he said. “What, did you actually think we didn’t know?”


“It’s alright. She loves you. Or so she’s said. But just know, if you hurt my sister, I will kill you myself.”

“Duly noted,” Kerrick said, taken aback by the threat.

“Come, brother. We celebrate,” Anders said as he pulled Kerrick into the gathering.


Star Wars: How To Make It Better!!

Recently, I went and saw Solo: A Star Wars Story. I actually enjoyed it quite a bit. It was fun, full of action, loved seeing Donald Glover as Lando. But here’s the thing. I had to ask myslef at the end whether I truly enjoyed it as a Star Wars fan, or if I just enjoyed it as a fun movie? It took me a while to realize it, but I hadn’t enjoyed it as a Star Wars fan. If anything, it was just a generic science fiction movie with some interesting characters and a fun heist going on (though I will admit I did love the Kessel Run. Less than 12 parsecs, haha). I wondered why it had worked for me, but not on the level of it being a Star Wars film? There are several reasons and I think they actually start with the Last Jedi, which I’ll get to after the discussion on Solo.

Han Solo has always been one of the most iconic characters in the Star Wars Galaxy. We know his look, his attitude, and his weaknesses. We also know his history, If one looks into the character of Han Solo, they’ll realize that he already had a well established origin story starting with the book series in the 1980s, I do believe, and followed in the late ’90s with The Young Han Solo Trilogy that pretty much covered his entire youth from being a their on Corellia, to pissing off the Hutts on a regular basis (there’s also a Lando Calrissian series that I hope they consult before making any new Lando adventures). The fact that they took Han Solo’s origin and almost completely threw it out the window is part of the reason why it didn’t resonate with die hard fans.

The characters didn’t resonate with fans because most of them didn’t exist, which actually makes it more of a mess than Tauriel in The Hobbit movies. There were only three characters out of the original origin that they kept, Han, Lando and Chewbacca and that is an issue. Why? Because when you mess with people’s heroes and break canon, fans don’t like that. They want the hero that’s always been what he is due to the origin they already know and love, not some bullshit that someone is just pulling out of thin air. That’s not the way it works, especially with a fandom like Star Wars. With the continuation of the story after the Trilogy and the creation of The First Order, fan were sort of okay with that, but Disney is kind of pushing their luck. Again, completely breaking with canon is not wise.  Also, where did these characters that they added to Solo come from? Who is this Qi’ra character, or these bandit types who keep chasing them, and WTF is with that reveal at the end? It’s just confusing. And for Star Wars fans who know anything about the canon, it’s just nonsense.

So what do we have to do to fix this mess? Solo wasn’t a bad film. It was actually quite good and I enjoyed it. There were just far too many issues as a fan that didn’t make it a Star Wars film. And that is what fans have to decide now. Whether they can enjoy these films as Star Wars films, or if they have to put their faith in the franchise aside and watch the movies as “just another science fiction movie.” Because, Star Wars fans won’t keep watching if they don’t feel like the franchise is staying true. They will abandon it, because suggesting that you can give them crap and they’ll just keep coming back isn’t true at all. Down the road, they’ll realize they’ve been had and they’ll walk away grumbling about the fact that Star Wars messed up Star Wars. Some already have. And no this doesn’t have anything to do with subliminal messaging from “the left” or “social justice warriors.” Star Wars has been about social justice warriors since film one. That’s just a fact.

Solo definitely didn’t get enough marketing time. Also, it was definitely released too close to The Last Jedi. There’s no doubt about that. There was literally no time to build up hype or get excited about it. Also, I don’t think Star Wars is anything they should even try to make into a Marvel Universe kind of franchise. Releasing a film every six months is just going to create over-saturation and then there will be no excitement at all because, “oh, it’s just another Star Wars movie, who cares?” I care. Many other fans still care. What they should do Disney should space them out like Warner Brothers is spacing out the Harry Potter prequels and maybe put out a new Star Wars film every year-and-a-half or so. That way people can get excited about it, hype it, make it special again.

Diversity is never a bad thing. I think that we need a director and a writer of color to work on Star Wars. The last woman to even touch Star Wars was Leigh Brackett in 1980 for The Empire Strikes Back. She passed away from cancer before the script was finished which is why George Lucas and Lawrence Kasdan also have writing credits on it. Bringing in PoC is never a bad idea. If we can get someone like Ryan Coogler to direct a Star Wars film, it would probably be great!  As for me, as I’ve stated before, I want to be the first WoC to write a Star Wars film. In fact I’ve already started. It may never see the light of day, but at least I did what I said I was going to do. Adding new voices with diverse perspectives is just something that should happen. And, we’re tired of J.J Abrams and his ridiculous nonsense, haha.

The last thing I would suggest for Disney is to go back to the original canon for the series. Maybe not completely, but just nudge it a little bit. There are so many great Star Wars characters that you’re just basically throwing in the trash. Like Mara Jade, Kyp Durron, Corran Horn, Kam and Tionne Solusar, Winter, Salla Zend, Talon Karrde, Admiral Daala, So many whose stories deserve to be told because they are part of the Star Wars fabric. And to totally throw them out and ignore them is to basically spit in the face of fans who loved them.

I have always had one rule for any director or writer who works on Star Wars, no matter who they are. They have to be fans. So far I have seen very little evidence of that. The Last Jedi was the closest film so far (maybe Rogue One), but that’s just not good enough. You have to do better, Disney, or all of the Star Wars fans are going to jump ship. Thanks for reading. I hope you liked this post! Let me know what you think!!

Martin Freeman: Not As “Problematic” as You’d Like To Think


The other night, an interview came out that said that Martin Freeman was kind of glad that they were taking a long (probably permanent) break from Sherlock because fan expectation were simply too much.  I had no issue with this. If anything, I thought it was a good thing for him, after the success of Black Panther, to kind of move on from what he had been doing to whatever comes next.

Other fans weren’t that accommodating. The moment he came out with this statement, people began to attack the star and the show. They were convinced that Freeman was just whining about his success and that he was ungrateful to the fans. Well, we’ll get to the fans in a bit, but here’s the thing that really pisses me off. They think they have an excuse to call him a bad person, or in fact a terrible person, because of some of the things he has said in the past. I have been following Martin Freeman since his days in The Office, watched him when Love Actually came out. Enjoyed him as Arthur Dent in HitchHiker’s Guide, Loved him in all of the Edgar Wright/Simon Pegg films, was thrilled when he was cast in The Hobbit, endured The Hobbit and loved him in Black Panther. It just annoys me that people think that they can just get away with calling him racist. So I would like to address some of the “problematic issues” that people have with him. Just address them. Your opinion is your own. You certainly don’t have to agree with me.

I found this interesting list of problematic Martin Freeman quotes here . I am not going to address them all, but I will go through at least some of them. First of all, the racist thing. I found this quote especially interesting because I agree with it quite a bit.


I actually agree with this because I don’t like hearing that word. And I literally hear it all the time. And not just from African Americans. The teenagers in the school that I often work in are really into rap. Most of them are Hispanic. A good many of them actually call themselves and each other that word despite the fact that it’s not their word to use. So saying a word to point out that you don’t like to hear it and there was a time when people knew that it was an inappropriate word to call people; that’s not racist. If anything it’s the opposite of racist. What he’s saying is, “as a white man, I find this word to be inappropriate, and yet there it is.” He probably shouldn’t have called it “gangsta rap” and using the word was inappropriate, but that’s all it was. Inappropriate, not racist. And if you’d like an example of what he’s talking about, this is one of my nostalgia rap videos, but it uses that word  A LOT. So be for-warned.


Whenever I see this argument that he’s racist for his comment I think:

This is primarily because it’s white people saying these things about him while ignoring actual PoC who are telling them that what he’s saying is not technically racist. It would be one thing if he were saying that word to someone, or was saying that that word was okay to say. He’s doing the opposite and saying that he finds it annoying that it’s there. There was an incident last year with Bill Maher where he called himself that word. That was also not racist, It was wildly inappropriate and a bit flippant, but it was not racist.

Here’s another one that I just love. It’s just so funny that it’s sad.

  • His ENTIRE performance in Ali G Indahouse was super racist and classist. Here are a few clips to give you a taste, the entire movie is on Netflix instant.

Oh my golly. Look who missed the point of the ENTIRE film. The ENTIRE film. That’s the point. And for goodness sake, it’s Sasha Baron Cohen. He has never made in inoffensive film in his life. If this is what you truly think, then the satire went so far over your head that it’s not even funny. I mean, really.


Lets do another one, because I’m not really done making my point. And I do have one.

I met Lucy Liu at the Emmy’s who was charming, but very ugly.  She’s a dog, come on, she’s a very unattractive woman.

And here we have it. The one everyone seems to be obsessed with. Yes, he said an assholic thing. but Lucy Lui is a strong woman who has always played strong characters. She does not need you to fight her battles for her. Also, they probably know each other, had a good laugh about it, and then she called him a pasty white pile of  mashed potatoes. You don’t know what they’ve actually said to each other. And yet you’re just going to assume someone is a terrible person based on information you don’t and can’t know.  Trust me, she’s okay, and she’s gotten over it. If you ask her, she’ll probably say, “who?”

On his comments about multiculturalism. Yeah, they’re probably not good, but they’re not racist or Islamophobic. It basically means that he’s afraid of scary brown people. A good many people are. I mean, according to President Trump, I’m a rapist, murdering, durg peddler because I’m descended from people south of the U.S. border. My birth father was probably here illegally.  I’ve gotten a lot of flack for being a brown person. People chucking rocks at me, sitting behind me and telling racist jokes just for my benefit on the bus, the words spic and beaner coming up quite a bit. That is racism. Someone telling you to suck AIDs from a beaner d%$k. THAT is racism. Saying that some people make you uncomfortable and that they might be dangerous, that’s not racism. And given the research he must have done for Whiskey Tango Foxtrot, the chances are he knows the difference between terrorists and peaceful Islamic people.  When I see things like this, as a WoC I immediately think again:

One last thing I’d like to address before I get on with things.

He’s talking about a hobbit climbing a ladder to slip something to an elf. In case we don’t remember, elves aren’t real.

While it’s not alright to say that you were trying to slip something into someone’s goblet, he knew it was wrong almost right away and backtracked on it a bit, knowing that he had said something wrong. That’s why I don’t like websites that post quotes like this. They’re all taken out of larger conversations, and out of context. They make the person look as bad as possible while ignoring the actual conversation that’s being had. Not to mention that no one called Jason Momoa on his comment for five, maybe six years. The one where he was talking about raping women…not elves. Making a joke about raping anyone is not good. We either need to call everyone on it and hold them equally accountable, or no one. It can’t be, nah, we’re just gonna dump all our hate on this guy, but this other guy is okay. That’s not the way it works. He immediately knew it was bad and wrong. It took us five or six years to call Momoa on his comment.

Then again, Freeman came from a comedy background. That doesn’t make it okay, but it does make it somewhat more understandable. Jokes like that are rampant in the comedy world. Every comedian in the world has made at least one rape joke. And there Comes a time when you have to decide whether you’re going to be offended, or just let it be what it is, a piece of comedy that you don’t like. There are many comedians that are like this.

I don’t think Freeman is really like that. I think he does care. I think he cares about people and about his fans. But you have to understand, everyone is human. We all flub up. I certainly have. I’m not a freakin’ saint. Even if I were, I’d be a terrible one. I don’t know Martin. We will probably never have cause to meet. I just don’t like people crapping on others based on second hand information that’s created to make someone look like a jerk.

I love Martin’s work, but when he announced that he was getting tired of doing Sherlock because the fan expectations were too much, I heard everything from, “the show sucked anyway,” to, “yeah, but he’s a racist asshole anyway.” No, that is not acceptable behavior. Especially from some people who are supposed to be professional. A few years ago, he and his wife received death threats from an obsessive Sherlock fan. The writers and producers have received threats. And now, fans are claiming that the show was all about queerbaiting when the characters never were and never would be gay? Who are the real bad guys here? The guy who speaks his mind and should be free to do so as a human, or the idiots who are threatening him over his role in a television show. I know that’s a bit harsh, and it’s not representative of all Sherlock fans. But those who are responsible; you should be ashamed of yourselves.

So that’s it. That’s my final word on this whole debacle. But the fact is, you have no right to call anyone a horrible person when all you know about them is something you found on a website with little quotes that are meant to make him look bad. No. That’s not cool. Not everyone is 100% politically correct all the time. And if you’re offended, ask yourself if what you’re reacting to is truly offensive, or if you’re being offended merely to be offended. Because that’s ridiculous.

Thanks for reading. I appreciate it. If you’re offended by anything here…m’kay…

Harold Godwinson and Other Stories: The Method to My Madness

A few years ago, I started to work on the screenplay, Harold Godwinson. It is one of my favorite pieces of obscure history; telling the story of King Harold II and his encounter with William the Conqueror. What I wanted to do was tell a biographical story of his life because very few people have ever done that. When they tell the story of Harold in film, usually they focus on The Battle of Hastings. This makes people assume that that was the only important thing he ever did in his life. This is not true in the least. He had several events in his life that made him the man that he eventually became. The screenplay went through coverage and came out of it with stellar feedback from the producer who went through it. Then I went elsewhere to ask a few questions about the sceenplay and the reviews weren’t so stellar.

The concept and subject of the screenplay were interesting, but the person who went through it thought that covering Harold’s entire life was a bit too much and that I should have stuck to the subject of The Battle of Hasting and not try to tell the story of his life. Also they began to point out things that didn’t matter. Still others who looked at it went through it and realized that it wasn’t at all “typical Hollywood fare” didn’t think it would pass muster. Commercially, perhaps not. As an indie film with passionate film makers, it could be the next Elizabeth, The Tudors, or The Last Kingdom, which is probably the closest in subject matter to Harold, Lets go through this a bit and explore some of the decisions I made and the method to my madness.

The story starts out with one of Harold’s first battles as he faces off against King Magnus the Good of Norway.  What is the purpose of this bit of the story? This is the battle that establishes that he is a man worthy of respect, despite the fact that he’s only twenty-one. As a British noble, he has to prove himself. If he doesn’t, why would anyone follow or respect him? This is basically a necessity. Also, during a battle, originally, Harold throws a knife in order to dispatch the king. People were like, “well now he’s just a cowardly knife thrower.” This is where Hollywood takes a departure from accuracy. In battle, it’s about taking the leader off the board as quickly and efficiently as possible, just like in a game of chess.  Once Harold takes out Magnus, the battle is over because he’s effectively  cut the head off the snake and the battle can no longer continue.

Most battles in the 1000 usually lasted for two to three hours. It would be different if it were a castle siege, however, field battles were short. The Battle of Hastings was unprecedented because it lasted for nine hours. Usually though, two to three hours. Harold has to take out the king quickly. His throwing a knife and taking advantage of an opening is simple realistic. The Hollywood bullshit of a guy fighting through fifty bad guys while swinging his sword around like Jackie Chan is not realistic or efficient at all. I took it out anyway because I let people talk me out of it.

Next he goes to visit the woman who would become his consort, Edith (Ealdgyth) Swan Neck. She’s just his consort, not his wife. They don’t necessarily have to have any ceremony for them to be joined. While all of the children brought of this union are considered legitimate, that doesn’t make her any less his consort and not his wife.  The next sequence is Harold’s encounter with Beorn. The first complaint was, “Godwin wouldn’t want to protect his third son, he would let him go to the battle with Harold.” No, he wouldn’t. Godwin’s two eldest sons (Harold and Sweyn) are going into battle against each other. Godwin is not going to send his third eldest son into the fray. He need to protect his line. Sweyn could very well have killed Harold. They could have killed each other. Also, history tells us that he wasn’t there. I changed it anyway from Godwin telling Tostig just not to go, to telling Tostig to go to the king. Also Sweyn disappears from the story after that because he almost literally disappears. While he did eventually secure a pardon, he only stayed for a short time and was banished again when his father was and afterward decided to go on a quest to the Holy Land. He died on this journey. So putting him back in would just be useless filler.

The next issue that is there was  was that Harold was banished along with his brothers and father. He escaped to Ireland. “So what did he do in Ireland and why  didn’t you go into that?” Um…mostly because it doesn’t matter. He was there for a short time, two years I believe, and after that, he joined his fathers second attempt to return to England and reclaim what was theirs. Ireland would have just been useless again to go into, but I added a scene where he gathered Irish mercenaries anyway to appease the Hollywood types despite the fact that it didn’t really happen like that. The scene in Ireland isn’t necessary, but the following scene where Godwin tells Harold that his son Wulfnoth has been taken hostage in Normandy is necessary as it helps to set up a later conflict.

This sequence that this sets up is where Harold himself is a hostage in Normandy, and threats against his brother and being tricked into swearing upon holy relics mean that Harold has to make promises that he would never make otherwise. This is the event that the last mentioned scene sets up.

Harold never expected to be king. His only relation to Edward the Confessor was through Marriage to his sister Edith (Ealdgyth). The people who chose who the next king was were the Witan (If you’ve ever watched The Last Kingdom, every so often they have meetings with the Witan to discuss things. It was made up of the king’s senior advisers, Housecarls, lords, and territorial thanes). There were four contenders to the throne, not the least of them being Harald Hardrada of Norway and William of Normandy.  They chose Harold because they wanted an Anglo-Saxon man to be their king. Harold also had to banish his brother Tostig for taking advantage of the people of North-Umbria. He also had to marry Edith (Ealdgyth) of Mercia a noble woman. He still favored his consort though.

In the end, Harold fought valiantly, but could not win against William who, after nine hours, finally broke the shield wall. The Bayeux Tapestry is not exactly clear about what figure is Harold. He could be the one who was killed while still giving it his all, or he could be the figure that was shot in the eye by an arrow. Both are propaganda. The Norman version is that he was shot in the eye, which is the most commonly propagated because history is generally written by the winner. The way I wrote it is that he died bravely defending his brothers and William tabbed him in the eye with an arrow. This was kind of to solidify William as the villain. Also there are one of two places that he could have been buried. I chose the most likely one at Bosham.

There also seemed to be an issue with language. I didn’t use modern contractions. People in 1066 wouldn’t have been speaking English let alone using modern contraction. While I have no skills in writing Anglo-Saxon, I basically did the next best thing. And lets face it; if you can figure out will not, cannot, they will, that is, then that in itself is an issue. I did the same thing in Dragon Fire, Angel Light. Technically it’s not stilted, it’s accurate. Anglo-Saxon was a language with primarily Germanic roots. It did not start to morph into modern language until after the mixing of Anglo and Norman people. You can even follow the progress of the English language from Beowulf, the last great work written in Anglo-Saxon, to Chaucer, to Spencer, to Shakespeare, to Milton and so on and so on. That’s kind of what Hollywood has done to us. It has thrown historical accuracy to the wind in order to appease modern audiences, which is not a very good thing. Also telling the story of his life sort of explains why Harold II is such an important person in history.

Without him, and his interesting life, things would have been much different. It breaks the Hollywood mold, and yes, it’s basically and indie film that needs the budget of a blockbuster. However, I have no doubt that it can be big and is a story worth telling. Thanks for reading. Hope you liked it!



Writing Male and Female Characters: Why We Need More Women In The Writers Room

Recently, Wil Wheaton posted an article about the fact that Gillian Anderson was bothered by something. The fact that the writing team for the X-Files was all male.   Here is the link to the article. While this is indeed annoying, it is actually quite common. Despite the fact that Hollywood has called for change, little change is happening, and the status quo is still in effect. This could create a problem however. The issue being that the show has a team of men who are writing both male and female characters. There’s nothing wrong with men writing female characters. The issue is that there is a “team” of writers, and yet there is no room for even a single female writer on that team, meaning there is no true female representation or perspective. Writing for the opposite gender can be difficult. I’ll give you a few examples from myself that are interesting to consider.

As a writer who does not have a team, I cannot really and truly understand the male perspective. I have written male characters; many of them, but I am not an expert on maleness. For example, when writing a book that should be out this winter called Dragon Fire, Angel Light. Both of the main characters are male. In fact they’re males who love each other and have chosen to be together despite the fact that both are a bit supernatural and it creates issues. When writing the characters, while I can make the males male, some of their mannerisms and things that they say aren’t exactly the most male. There are quite a few instances in which the characters engage in what would be considered “mushy” behavior.  They will come straight out with the “i love yous” and the “I want to look in your eyes” when having sex (oh golly). They have no qualms about calling each other “my love”, “my lover” using terms like “making love” instead of just “doing it”. It’s all very romantic, but is it male? The fact is, I don’t really know because I’m not male.

Another example is my book Tales of the Driss, Krystal Dragons. It’s a fantasy novel based off characters and actors that have influenced and inspired me (thank you Dean O’Gorman and Aidan Turner). These guys aren’t lovers, they’re brothers, but even with their lovers, they don’t act very male. They have long conversation about how much they love their lovers after sex, they wax romantic when they’re asking their lovers to marry them, once again coming straight out with the “I love yous”.  They talk constantly about the merits of love and how it’s effected them. I don’t know if this is especially male either. Do men often go off on romantic mush fests? Do they just lie in bed and talk about how much they love their lovers after sex? Once again, I couldn’t say.

Screenplay Harold Godwinson has gone through many incarnations. and many drafts, however, the story has always stayed the same. So the relationship between Harold and his consort Edith has always been the same, and they face the same issues. An over romantic man driven more by feeling than by power, gain or perhaps even reason. Instead he’s more invested in justice, happiness, and caring. which is, once again not very manish, of so it would seem. One would think that the second most powerful man in Britain would be mad for the power that he could claim for himself, going forth on his own conquests and calculating his possibility for advancement. That’s not the way he’s written because when I looked at his life, that’s not the way he seemed. A man writing for this character might have seen the more calculating man in search for power. I did not. He loves his consort, he loves his land, he’s not out for himself, he’s looking out for everyone else, which may or may not be very male.

There are many stereotypes that still exist when one writes female characters. This may be because that is how women have always been portrayed to men. Seeing as history and many of the great works from the past were written by men, the male perspective may have overshadowed some of the truths about women. Throughout history, women have always been cast in certain roles. The two most classic being the fool and the seductress, or sometimes even both. If we look at the Bible, there is the story of Adam and Eve. There is Eve who is the first one seduced in the garden to eat the fruit which makes her the fool, and then she convinces Adam to eat the fruit as well, in a way seducing him into doing so. No one considers the fact that the second hand information given to her from Adam about the Fruit may not have impressed the danger of eating it. There is the story of Pandora who just couldn’t resist opening a box because, you know, the curious woman. There’s the story of Samson and Delilah, the seductress who betrays her lover through seduction and lust, and there’s the fallacy that Mary Magdalene was a whore. If we can break the stereotypes, then we can write better women. And who is the best at understanding women and the stereotypes applied to them? Women.

While it’s not a bad thing for men to write female characters; some female characters are wonderful, powerful, beautiful, and non-stereotypical. They’ve been written by great authors like Ibsen, Tolkien Hardy and so many others. However it’s also not a bad idea to have a woman to at least help better understand women and how women think, act, interact. And when you can have a team of writers, I’m sure that there’s room for at least one woman. Women need to be heard, as the female voice is just as important as the male voice, especially when a woman can write a woman for women. She wants the same opportunities that male writers get. She’s just as good, just as creative, just as interesting, and has the added bonus of being a woman. This also applies to people of color, but that’s a discussion for another time. Maybe next blog. Women want a chance to write. If Hollywood gives it to them, Hollywood won’t be sorry.


Thoughts on “Logan”

*I shall attempt a no spoilers post*

I recently went and saw the movie “Logan” which is the last film in the Marvel film series about the X-Men (or so it would seem).  I must say that as a person who has found just about every Marvel movie annoying since the original X-Men series, I was very pleased with this movie.  While all of the X-Men films, and Marvel films in general, have been the same special effects driven, generic movies, “Logan” had a a gritty, real world feel to it that made it far more engaging than the usual superhero movie.

That is because Logan (played by Hugh Jackman) is one of the few characters from the original films that is still a mutant and still has powers. However it becomes clear very early in the movie that his powers are waning, and he’s not the paragon of strength that “Wolverine” used to be. He’s looking old, his scars are showing, his eyesight is failing, he limps like a man whose worked too hard and is in his sixties, and his wondrous healing powers that had seen him through so much are disappearing. He also seems to be extremely depressed. After years of being something, he’s been reduced to a limo driver whose purpose is to drive around drunken idiots. He’s also taking care of his old friend, Professor Charles Xavier (played by Patrick Stewart) whose very old and suffering from Alzheimer. Logan has no choice but to watch as one of the most powerful minds in the world deteriorates into nothing. Professor X, on the other hand, is very aware that people are “just waiting for him to die.” Many older people experience this, which brings to Xavier a feeling of mortality as he realizes the restrictions of his brilliance brought on by old age.

The audience gets the feeling that Logan is about ready to give up. He’s carrying around an Adamantium bullet, the only thing that he knows that can definitely kill him. He’s realized that most of the purpose in his life has gone away, and he is ready to die. When he meets the little girl Laura, who has powers just like him, his will to live is renewed as he cannot help but love the child who becomes more than a little special to him.

Logan is a very interesting character to study, especially as he progresses through the series. When we first meet Logan, he is, indeed, a cage fighter in Canada, running away from a past he can’t remember and trying to avoid all human contact. This is probably because he’s trying to avoid getting hurt. He is very aware that if you care about anything, losing it means the potential for emotional pain. While he presents himself as a character with a massive chip on his shoulder who cares for no one, that doesn’t seem to be the case at all. In fact, he may be a loner, but he also has a big heart that is easily shattered by loss and pain. Throughout the series there are several deaths and un-requited love stories that he goes through.

What Logan’s attitude boils down to in the end is fear of loss, fear of pain, and possibly just a desire to not have to deal with that anymore. By the time we reach the Logan story, he has to be almost three hundred years old. In that span of time, one can be witness to more human tragedy than anyone should ever suffer. Some part of him probably longs for mortality, the release of death means the release from pain, which is probably why he carries that bullet around with him.

As Logan goes through the story, he realizes that he doesn’t have to kill himself. With his failing powers, he’s staring down mortality. And he realizes the limits of his strength just as any normal human would. The audience can tell that this brings him both relief and fear. But there’s one last thing he has to do. That he has to finish. And finish it he will, even if it ends him.

The movie “Logan” is all about endings. In some ways it is also about beginnings. There is the classic theme of passing the torch from one generation to the next. This is a theme that is as old as story telling as the old hero passes his sword to his child so that the child may carry on when he can no longer. It is also a story about how even heroes all fallible. Logan, who was once invincible, is no longer what he used to be. The mask of the hero is lifted to reveal a mere mortal. It is also about facing down fear, whether it be the fear of taking the risk and loving someone, or the fear of mortal limitations. All in all, it is perhaps the best film in the series.

Just like Deadpool, this movie is not really appropriate for children as it has it’s share of swearing and stabbing people through the head. However the violence in this movie is not a bad thing. It actually contributes to the story and the character as Logan, the Clint Eastwood cowboy type, carves his way to a difficult victory. In some ways it is like watching an old Western movie like The Good, The Bad and The Ugly, or a Chinese Kung-Fu film like The Blood of the Dragon where the hero doesn’t even fall down to die. Which in some ways kind of makes it a guy movie, but just about any X-Men fan, or action movie fan and sit and enjoy it. In fact it’s kind of nice that heralds back to that old action movie feel. The tone is both modern and nostalgic for those who have always loved action movies.

Thank you for reading! I hope you enjoyed it.

Carrie Fisher, Our Princess

Carrie Fisher has always been an interesting character. An actress and a prolific writer, people know her best as Princess Leia from the original Star Wars trilogy. Her Hollywood story began well before this though. The daughter of actress Debbie Reynolds and singer Eddie Fisher, there was probably no doubt that she would get into show business herself at some point. One of the first roles of her young career was in the film Shampoo, with Warren Beatty. This was in 1975, in 1977, she would be offered the role of Princess Leia in the movie Star Wars.

Carrie Fisher has always been honest about the hard times she has had throughout her life and her career. Once she referred to herself not as a damsel in distress, but a distressing damsel. She struggled with mental health issues and drug addiction throughout her life, but always managed to overcome somehow, though being able to acknowledge and, despite stubbornness, ask for help (asking for help can be difficult. I know from personal experience). She has found a new voice through several avenues, whether it be advocacy, writing, or acting, she always seemed to do things with a certain honesty and no small amount of truthfulness. Her book, Postcards from the Edge, became a movie starring Meryl Streep and Shirley MacClaine. It’s a great read as are many of her other books.

Princess Leia is one of the greatest characters ever to grace the screen. This is primarily because of the fact that she represented what a strong female character should be. Not over sexualized, independent, strong, feisty. A woman who could stand shoulder to shoulder with men, even if it was to call them a stuck up, half-witted, scruffy-looking Nerf-herders. She was a role model for girls and young women, when there were not many strong female characters being presented on the screen. She was certainly a role model to me, and shall continue to be so.

I will always appreciate the character of Princess Leia, and the wonderful actress who brought her to life. Carrie Fisher shall be sorely missed by fan and peer alike. Thank you.