Recently, Wil Wheaton posted an article about the fact that Gillian Anderson was bothered by something. The fact that the writing team for the X-Files was all male. Here is the link to the article. While this is indeed annoying, it is actually quite common. Despite the fact that Hollywood has called for change, little change is happening, and the status quo is still in effect. This could create a problem however. The issue being that the show has a team of men who are writing both male and female characters. There’s nothing wrong with men writing female characters. The issue is that there is a “team” of writers, and yet there is no room for even a single female writer on that team, meaning there is no true female representation or perspective. Writing for the opposite gender can be difficult. I’ll give you a few examples from myself that are interesting to consider.
As a writer who does not have a team, I cannot really and truly understand the male perspective. I have written male characters; many of them, but I am not an expert on maleness. For example, when writing a book that should be out this winter called Dragon Fire, Angel Light. Both of the main characters are male. In fact they’re males who love each other and have chosen to be together despite the fact that both are a bit supernatural and it creates issues. When writing the characters, while I can make the males male, some of their mannerisms and things that they say aren’t exactly the most male. There are quite a few instances in which the characters engage in what would be considered “mushy” behavior. They will come straight out with the “i love yous” and the “I want to look in your eyes” when having sex (oh golly). They have no qualms about calling each other “my love”, “my lover” using terms like “making love” instead of just “doing it”. It’s all very romantic, but is it male? The fact is, I don’t really know because I’m not male.
Another example is my book Tales of the Driss, Krystal Dragons. It’s a fantasy novel based off characters and actors that have influenced and inspired me (thank you Dean O’Gorman and Aidan Turner). These guys aren’t lovers, they’re brothers, but even with their lovers, they don’t act very male. They have long conversation about how much they love their lovers after sex, they wax romantic when they’re asking their lovers to marry them, once again coming straight out with the “I love yous”. They talk constantly about the merits of love and how it’s effected them. I don’t know if this is especially male either. Do men often go off on romantic mush fests? Do they just lie in bed and talk about how much they love their lovers after sex? Once again, I couldn’t say.
Screenplay Harold Godwinson has gone through many incarnations. and many drafts, however, the story has always stayed the same. So the relationship between Harold and his consort Edith has always been the same, and they face the same issues. An over romantic man driven more by feeling than by power, gain or perhaps even reason. Instead he’s more invested in justice, happiness, and caring. which is, once again not very manish, of so it would seem. One would think that the second most powerful man in Britain would be mad for the power that he could claim for himself, going forth on his own conquests and calculating his possibility for advancement. That’s not the way he’s written because when I looked at his life, that’s not the way he seemed. A man writing for this character might have seen the more calculating man in search for power. I did not. He loves his consort, he loves his land, he’s not out for himself, he’s looking out for everyone else, which may or may not be very male.
There are many stereotypes that still exist when one writes female characters. This may be because that is how women have always been portrayed to men. Seeing as history and many of the great works from the past were written by men, the male perspective may have overshadowed some of the truths about women. Throughout history, women have always been cast in certain roles. The two most classic being the fool and the seductress, or sometimes even both. If we look at the Bible, there is the story of Adam and Eve. There is Eve who is the first one seduced in the garden to eat the fruit which makes her the fool, and then she convinces Adam to eat the fruit as well, in a way seducing him into doing so. No one considers the fact that the second hand information given to her from Adam about the Fruit may not have impressed the danger of eating it. There is the story of Pandora who just couldn’t resist opening a box because, you know, the curious woman. There’s the story of Samson and Delilah, the seductress who betrays her lover through seduction and lust, and there’s the fallacy that Mary Magdalene was a whore. If we can break the stereotypes, then we can write better women. And who is the best at understanding women and the stereotypes applied to them? Women.
While it’s not a bad thing for men to write female characters; some female characters are wonderful, powerful, beautiful, and non-stereotypical. They’ve been written by great authors like Ibsen, Tolkien Hardy and so many others. However it’s also not a bad idea to have a woman to at least help better understand women and how women think, act, interact. And when you can have a team of writers, I’m sure that there’s room for at least one woman. Women need to be heard, as the female voice is just as important as the male voice, especially when a woman can write a woman for women. She wants the same opportunities that male writers get. She’s just as good, just as creative, just as interesting, and has the added bonus of being a woman. This also applies to people of color, but that’s a discussion for another time. Maybe next blog. Women want a chance to write. If Hollywood gives it to them, Hollywood won’t be sorry.